Thursday 11 August 2011

Madurai Meenakshi Temple

Madurai: The Athens of the EastMadurai evokes a vision of great temple towers.This is natural as it shelters one of the most grandiose specimen of temple architecture in South India. Much of South-India’s claim as a cultural destination hinges on the Meenakshi temple, which attracts visitors from far and near, not merely the devout, but scholars, students of architecture, as well as connoisseurs.
Yet, Madurai’s claim should go way beyond the towers. It is the most ancient city in the south with paradoxically, very contemporary refinements. History records that it was the meeting place of literatures possessing a highly developed style and grammar several centuries ago. It has been a trading post since time immemorial, drawing merchants from places as far off as Greece and Rome.
It has been the focal center for cultural activity and craftsmanship all through the millennia. Sometimes called the Athens of the east, Madurai where the temperature is usually described as ‘hot’, has an added attraction, a mere two hours drive away, lies one of the coolest spots of Tamilnadu – Kodaikanal and the temperate waters of the Bay of Bengal.
With its many-sided attractions, cultural, commercial, educational and business, Madurai happens to be the second largest city in Tamilnadu and is well connected by surface and air transport, NEPC providing the latest airlink. In fact, the latter even boasts of a captive airport with maintenance facilities for F-27 aircraft in the sacred city. From Madras by air is less than an hour’s journey.  By rail in a superfast air-conditioned train, takes seven hours, but is equally comfortable.
Coaches operate regularly from other vacation spots or business centers like Kanyakumari, Triandrum, Coimbatore and Bangalore. Geographically, Madurai enjoys a unique locational advantage, being equidistant from the east and west coast as well as the southern tip, so much so that it can be easily grafted onto any south Indian package. Moreover many foreign travel groups headed for Colombo or Male invariably include Madurai in their itinerary.
Few destinations hold as much fascination as Madurai. A tourist can spend days on end studying the intricate carving of the Meenakshi Sundreshwara temple, or strolling around its galleries and musical pillars. Since life revolved round the temple in the old days, the main streets were planned accordingly. Interestingly, they run in concentric circles around the shrine dedicated to Meenakshi, the goddess of limpid fish eyes, and to her consort Lord Siva. From within its massive precincts, had sprung art forms, music, dance and literature. The great literary conclave called the Sangam used to meet at Madurai. Legend has it that great literary works were thrown into the temple tank by divine force to be rated according to their worth. Accordingly works of merit floated while those substandard, sank.
The enormous temple complex spread over 65,000 sq.metres was not built in a single phase.  Understandably, like Rome it could be said of Madurai that it was not built in a day! Successive ruling dynasties, monarchs and great sculptors dedicated their genius and efforts to construct this masterpiece in stone. It is dominated by four towers (gopurams) at the main entrance gates. The earliest tower is on the eastern gate built in the 13th century, while the tallest and last one was built later in the 16th century. In addition, there are eleven smaller towers, each ornamented with carvings. Another great temple feature is the thousand-pillared hall (the precise number is 985). The temple is open all days from 5 a.m. to 12.30 p.m. and from 49.30 p.m. It has its own museum open from  6 a.m. to 8 p.m.
Besides the Meenakshi, several ancient shrines which features ingenious construction. There is the Thirumalai Nayak Mahal, palace of one of the powerful chieftains of the 19th century. The most imposing remnant is its vast hall of audience, opening on to a courtyard. Cultural enthusiasts should do well to watch the place come alive in a sound and light show portraying the story of Nayak and of the celebrated Tamil epic Silappathikaram.
The city sports festivals and fairs associated with temples and trade. Often they are interlinked. The most famous is the Chithirai festival, when a deity of Lord Vishnu is taken on a golden horse to re enact his participation in the celestial marriage of Meenakshi with Lord Sundareshwara. The colour and sound of the spectacle is eagerly anticipated by thousands of people in Tamilnadu and neighbouring states. It is also an occasion for trade fairs. Madurai is famous for its unique silk saris, hand-woven by traditional families at astoundingly competitive prices. It is also famous for condiments obtained from the western ghats. Visitors, particularly those from abroad, are fascinated by the local crafts like brassware, old bronze pieces and sculpted creations.
Madurai’s importance is as much due to contemporary events as to the glory it once possessed. Today it has evolved into a major industrial center and has several educational institutions. The place was active during the freedom struggle and now an institution (dedicated to Gandhiji and his teachings), is housed in a 300 year old palace which is a must in the itinerary of every visitor. Besides the personal memorable of the Mahatma, it houses beautiful products drawn from several handicraft and village industries.
This sunny city where the gods reside, is close to Kodaikanal, a hill station 2133 metres above sea level, abounds in pleasant walks, picturesque waterfalls and a magnificent lake. To the west, five hours’ drive away, from Madurai is the famous Periyar wild life sanctuary. A slight diversion and one can have a breathtaking view of tea plantations and cardamom estates. Travelling south is Rameshwaram, one of the most sacred temple towns, an island paradise of golden sands.
The magical charm of a near mythical experience in the presence of gods and goddesses, exquisite architecture, ecstatic performing arts and not to be forgotten, the south Indian culinary delicacies explain Madurai’s special appeal. Truly an unforgettable experience.

Article by : V. S. Srinivasan
Source: Bhavan's Journal 15 July 2006
To know more about Bhavan's Journal and to subscribe visit: http://www.bj.bhavans.info/

Sri Aurobindo (1872-1950)

A voice told him that he was being prepared for an altogether different kind of work, which he should undertake after his release from the jail.
When he was released, Aurobindo was a completely changed man. After spending sometime in Calcutta, he withdrew from active life gradually to take up the practice of Yoga without interruption. Sometime later, he had a Divine vision again and obtained a clear and direct ‘Adesha’ [Divine order] to leave Calcutta and proceed to Chandranagore. Again the same Divine Vision directed him to go to Pondichery, which was then a French possession.

Samarth Ramdas

Samarth Ramdas –The Patron Saint of Maharashtra
Samarth Ramdas a saint, poet, philosopher, social reformer and a clever and practical Raj Guru of Shivaji Maharaj who skillfully merged devotion (Bhakti) and the prosperity of the kingdom and thus built up patriotism is one deserving merit. Even today, there is no household in Maharashtra that does not recall this saint, through his masterly writings, Abhangs, Stotras and Aartis.

Purandara Dasa (1484-1564)

Purandara Dasa (1484-1564) was born in Purandaragada, near Hampi.  His parents were Varadappanayaka and Kamalamba.  He was originally named Seenappa, Tirumalarayappa and Thimmappa.  He was a Madhwa Brahmin and scholar in music, Sanskrit and Kannada languages.

Annamaacharya (1408-1507 A.D.)

Annamaacharya (1408-1507 A.D.) was born in Taallapaaka (Andhra Pradesh) and later moved to Tirupati.  He was born in ‘Nandaka khada amsa’ of Sri Venkatachalapati of Tirumala.  His guru was Satagopa Yati.  During his time Muslim influence was gaining ground and Hinduism was losing its influence.  Annamacharya’s guru wanted him to uphold and propagate Bhakti maarga through Vaishnavism and Venkatachalapati’s praasastyam.

Jayadeva (1090-1159)

Jayadeva (1090-1159) was born in Bindubilva (Orissa) and later lived in Vangadesha (Bengal) in King Laxmana Sena’s court.  His wife was Padmaavati. They were a  loving couple.  While he was writing and singing Raadha-Krishna’s pranayaleelas in his ‘Geeta Govindam’.  Padmaavati used to interpret them in dance.  Geeta Govindam has twenty-four Ashtapadis.  When he was writing the 19th Ashtapadi, one line disturbed him much, ‘Smaragarala Khandanam mama sirasi mandalam, dehi padapallava mudaaram’.  Here he felt it was not right to write words which imply pushing of Krishna’s head by Satyabhama’s foot.  How can she insult God?  So he struck off the line. But when he went to the river for a bath, Lord Krishna came in his form, re-wrote the same line,  the food served by Padmaavati and disappeared. Hence this 19th Ashtapadi was called Darshana Ashtapadi.

Mahatma Gandhiji’s First Fast

Gandhiji undertook many fasts, some to resolve issues of great import and others for lesser ones, during the course of the freedom struggle. However, his very first fast was like a thunderclap which hit the country with shattering impact.
The most important thing about this fast was it was totally apolitical i.e. it was not directed to resolve any political issue nor directed against the government. Besides, as in our celebrated epic, Mahabharata, on both sides of the dispute were ranged loving and close friends whom Gandhiji held in high esteem.

Kateel Shri Durgambika Temple

Twin  Programmes in Shri Kateel

Kateel, the famous pilgrimage centre with the temple dedicated to Mother Goddess, Shri Durgambika, in Dakshina Kannada District of coastal Karntaka, does not need any introduction. With an hour’s journey by bus from Mangalore, it is situated on the bank of the holy river, Nandini, daughter of Kamadhenu, the wish-fulfilling celestial cow which came to the earth to bring solace to the drought-stricken people in the days of yore.
According to a popular legend, the place derived its name from a Harijan youth, Katla and his mother discovered the sacred linga of Mother Goddess hidden in a leafy bush. Although the deity is named, Sri Durga Parameshwari, mythologically, she is known here as Sri Bhramarambike or the Mother who had assumed the form of a Bumble Bee. She had to assume this form as a boon secured by a demon called Arunasura who could not get harmed by any living creature that had two or four legs!

Tuesday 9 August 2011

Bhaskaracharya’s Bijaganitham

Title: Bhaskaracharya’s Bijaganitham
Author: Dr. V. B. Panicker
No of Pages: 198
Paper Back Price: Rs. 120 /-
I.S.B.N: 81-7276-391-3
The most ancient and advanced among the world civilisations, viz., The Hindu Civilisation had contributed substantially for the development of scientific knowledge of humanity. The Vedas integrated the spiritual and physical sciences and our sages revealed the scientific truth through realisation. Among the various branches of Physical Sciences, Mathematics and Astronomy occupy prominent places in Indian contribution to the world. The concept of zero is acknowledged as of Indian origin. The decimal place value system with numerals 1 to 9 was in use in Bharat even from Vedic period. These numerals which were introduced to the Western World through Arabs came to be known as Arab Numerals. Number Systems with letters of alphabet and familiar material objects helped presentation of mathematical problems through poetry.

Lord Ganesh in Kalasa Town

This is a rare version of the birth of Lord Ganesh prevailing in Kalasa Town on the banks of the River Bhadra in Chickmagalur District of Karnataka State

Sri Kandukuri Veeresalingam Pantulu

Sri Kandukuri Veeresalingam Pantulu : Morning Star of Telugu Renaissance
When the Telugu region was wrapped up in the darkness of superstition and social vices in the nineteenth century and the Telugu people were in a state of somnolence, there appeared on  April 16, 1848, a star, which heralded the dawn of a new era and marked a new awakening. And that was Sri Kandukuri Veeresalingam Pantulu.

Raja Rammohan Roy

Raja Rammohan Roy : A True Social ReformerRaja Rammohan Roy was born in 1774 in a rich but orthodox Brahmin family.  Since childhood, he was opposed to orthodoxy and superstition.  At the age of 35, in 1809, he wrote a small book in Persian, “Tuk fat-ul-Muvahiddin”, ‘Gift to Monotheists’ in which he condemned idol-worship and appreciated monotheism.
Raja Rammohan Roy was a great scholar who knew over a dozen languages including Sanskrit, Persian, Arabic, English, French, Latin, Greek and Hebrew. 

Bengaluru Nagarathnamma

Tyaga Brahman  Temple : A Temple for The Soul of Tyagaraja in Thiruvayyaru
January is the month when Thiruvayyaru (holy land of five rivers) in Thanjavur district of Tamil gets swarmed by musicians and music lovers seeking to pay homage to the memory of saint-poet Tyagaraja. Exactly one hundred and sixty years ago— January 11, 1847 to be precise— the singer of a thousand songs ended his pilgrimage of Rama Bhakti Samrajya to join the stars that added a  new splendour to our southern skies. The soul of Tyagaraja blesses musical devotees who assemble in their thousands at Thiruvayyaru.

Mother Teresa

Mother Teresa Leadership through Selfless Service  
As you did to one of the least of these my
brethren,  you did it to me
Jesus (Mt 25:40)
On  December 10, 1979, the Aula Magna of the University of Oslo was packed with dignitaries from all over the world. They assembled to witness the presentation ceremony of the Nobel Peace Prize to a simple nun, who made service to the poor her sole vocation. As the slightly bent, frail little figure of the holy woman with deeply wrinkled face - clad in her customary white sari fringed with blue, glided towards the podium, the entire audience spontaneously rose to its feet as a measure of respect to this luminous messenger of God’s love.

Kandathil Varughese Mappilla

Kandathil Varughese Mappilla: A Multifaceted GeniusMalayala Manorama made big headlines by opening a news channel incorporating the most modern technology in its operations and its advent into this new field on the Malayalam New Year (17-8- 2006). It has been welcomed by the discerning public not only in Kerala but also in the country as a whole. At this juncture, it is but appropriate to reminisce on the foundation and growth of this great newspaper. More than that, we would do well to remember the founder of this great enterprise, who has made a mark not only in the history of journalism in India, but also made giant strides in the industrial, commercial and cultural fields of Kerala.

Monday 8 August 2011

Ishwar Chandra Vidyasagar

“There is not a man of my age in Northern India” said Swami Vivekananda to Sister Nivedita “on whom his shadow has not fallen”. Michael Madhusudan Dutta described him as having ‘the genius and wisdom of an ancient Indian sage, the energy of an Englishman and the heart of a Bengali mother’. Both Swami Vivekananda and Madhusudan Dutta were referring to the impact of Ishwar Chandra Vidyasagar’s personality on his contemporaries during most part of the nineteenth century.

Shri Gurudev R. D Ranade

 Popularly  known as GURUDEV Dr. R.D.RANADE was born in
jamkhandi in Karnataka.
Events in Gurudev’s Life
  • JULY 3, 1886: Birth
  • 1895: Joins Sir Parashuram Bhau High School, Jamkhindi.
  • Nov. 25, 1901: Initiation into spiritual life by Shri Bhausaheb Maharaj, Umadi.

Rev. Uttangi Chennappa

Uttangi is a village in Bellary district of Karnataka. Around 1810 A.D. Chennappagouda was the headman of the village. He was a Lingayat by caste and he later converted to Christianity.
A son was born to Chennappagouda who married Subhadramma in 1877. And a son was born to them on October 28, 1881, who was named ‘Chennappa’, after his grandfather, Chennappagouda.

Hampi

Immortal Hampi,that was Vijayanagar
Welcome to Hampi that was once the matchless Vijayanagar, the ‘fascinating lost but living City of imperishable Beauty and Culture, of undying Glory and Grandeur’ to gather a fulsome view of what immense, irremediable havoc inhuman, spiteful misadventure, unbridled hatred, fanaticism of Bamiyan mode and their attendant concomitant, wanton destruction can wreak and cause.
   Hampi was a magnificent and proud city of distinction that stands now naked shorn of its cultured beauty and multisided splendour ruined with vengeance.

The Mystery of Karma

Title: The Mystery of Karma : An Exposition of the Law of Karma
Author: V K Saraf
No of Pages: 440
Paper Back Price: Rs. 310 /-
I.S.B.N: 978-81-7276-401-2
Albert Einstein once remarked in his inimitable style that the most incomprehensible fact about Nature is that it is comprehensible. Later the same sentiment was echoed by mathematician-physicist Roger Penrose. Obviously these luminaries had in mind the universal physical laws that can be clearly identified, formulated and their effect mathematically computed. Most hard scientists and engineers and rationalists of the world think that all systems of Nature are deterministic systems that can be described by precisely computable mathematical equations. However, this is not true.

Somanath Temple

Somanath Temple Through The Ages
“It is a Swayambhu Linga of great prowess, as bright as the disc of the Sun, surrounded by a serpent, of the size of the egg of a hen, called the Sarsa Linga and lodged underground.”….  Prabhasa Khana of the Skanda Purana.
Somanatha, as a Jyotirlinga, has been given a premier place in our religious literature. From Mahabharata downwards, the Puranic literature has referred to Prabhasa with reverence not shown to any other center of pilgrimage.

The Path To Salvation

Title: The Path To Salvation
Author: Naresh Gupta
No of Pages: 90
Paper Back Price: Rs. 75 /-
I.S.B.N: 81-7276-411-1

The present civilisation attaches too much importance to material welfare and maintains that the goal of a progressive individual or nation should be the ever-increasing physical comforts and luxuries.  Every day there are reports in the media of crimes and acts of misdemeanour.
The root cause of conflict and restlessness is desire.  All misery, conflict and unhappiness in this world can be traced to selfishness, greed and unfulfilled ambitions.

Karkati or Goddess Kandara

Tales From Sri Yoga Vasistam
The Story of Karkati, the Raksasi who became the Compassionate Goddess Kandara

Prassnnothara Ratna Malika

Jagadguru Adi Sankara’s “Prassnnothara Ratna Malika”
Translation by Prof. N. Ramachandran
Jagadguru Adi Sankaracharya has discussed very issues of vital importance to mankind, in a very simple, lucid question and answer style, in his work “Prassnnothara Ratna Malika”.  These thought-provoking explanations are highly useful to mankind for leading a righteous life.
Presented below are his question and answers for many of life’s problems.

Saket by Mythili Sharan Gupta

Saket is an epic poem in Hindi written by the poet Mythili Sharan Gupta, telling the story of Ramayana in a modern idiom.  Mythily Sharan (1886-1964) belongs to the period of Mahavir Prasad Dhwivedi.  During this period, Khari Bholi Hindi came into prominence and Gupta, by his ever so many poetical works proved that Khari Bholi could be used for poetry also.  He was a Sanskrit scholar, nationalist and thoroughly Gandhian in his outlook.  His poetic works are Saket, Dwapar, Rang me Bang, Kaba aur Karbala, Yashodhara, Tilottama, Panchavati, Jayadradh Vadh, Gurukul, etc.  Next to Thulasidasa’s Ramcharitamanas, Gupta’s Saket holds an important place in Hindi literature because Gupta is a sincere devotee and adorer of Lord Ram. 

Friday 5 August 2011

Mahabhashyam by Patanjali

People, pure at heart, tend to flare up spontaneously. But then, they cool down as quickly as they flare up. Sage Patanjali was one such person, good at heart and innocent but highly short tempered. He always took keen interest in the welfare of mankind in general.
After authoring the great Grantham (tome) Mahabhashyam (a complete treatise on grammar), he wanted to propagate its contents for the benefit of posterity. So he began to hold special classes every day for his thousand disciples just to teach them the Mahabhashyam.

Amarnath Cave

Amarnath – Saviour of Mankind
 Keeping in view the splendor of the holy Amarnath cave, the majesty of its surrounding peaks and the uniquely composite character of the facilities and services historically available en route to the sanctum – sanctorum, the trouble about the shrine board and the controversial allotment of land, simply, appears to be trivial though socially spontaneous among different contending segments of the population of the state. Surely, Lord Amarnath will show us the way out of the presentof the Golden Consensus will prevail resulting in the graceful continuation of the holy pilgrimage.

Vadakkunnathan Temple, Kerala

The Shrine of Vadakkunnathan, Thrissoor, Kerala.One of the oldest and perhaps the grandest temples in Kerala is the sacred Vadakkunnathan temple in Thrissoor or Thrissivaperoor.
The temple stands on a beautiful hillock at the centre of the town. The vast ground that surrounds the temple is called ‘thekkin kadu’ or the forest of teak wood trees. The entire city is built around the temple.

Meenakshi Temple, Madurai

The Musical Stone Pillars at the Shrine of Meenakshi  at Madurai
Madurai city, with the river Vaigai flowing near by, is justifiably known as a temple city because it is built around the renowned temple of Lord Siva, revered as Sundareswara  and his divine consort Meenakshi.
The temple with four gopurams or pagodas built over its four doors in the North, South, West and East is an imposing architectural marvel.

Brihadeeswarar Temple

Brihadeeswarar Temple, Thanjavoor, Tamil NaduThe temple for Lord Brihadeeswarar at Thanjavoor, Tamil Nadu is a wonderful creation, built during the reign of Raja Raja Chola 1. He was a mighty king who had vanquished the Chera and Pandya kings of his times and had even conquered territories beyond the Indian shores. Impressed by the magnificent temples and the idols of Buddha he had seen, he dreamt of creating a temple of greater magnitude and grandeur for Lord Siva.

Ajanta and Ellora caves

The Ajanta and Ellora caves are located near the city of Aurangabad, Maharashtra. These cave shrines, cut out of rock by hand, rank among the most outstanding specimens of ancient Indian architectural heritage. The 34 caves at Ellora and the 29 caves at Ajanta remained shrouded in obscurity till they were discovered accidentally in 1819 by a British army officer.

Konark Sun Temple

The Temples of the Sun God at Konark
Konark is where the fabulous temple for the Sun God stands. Even in its present ruined state it takes one’s breath away by its sheer magnificence. The temple is also known by the name Konaditya.
The name is derived from the world Kona- corner and Arka- sun. It is situated at the north eastern corner of Puri or the Chakrakshetra. Konark is also known as Arkashetra.

The Iron Pillar At New Delhi

The iron pillar of Delhi, located in the Qutub complex, is an important testimony of the history of metallurgy of India. The pillar, almost seven meters or 22 feet high and weighting more than six tons, was supposed to have been created at the times of Chandragupta II Vikramaditya (375-413 AD). It is the remaining piece of a Hindu and Jain temple complex which stood there before being destroyed by Qutub-ud-bin Aybak to build the Qutub Minar and Quwwat-ul-Islam mosque Qutub built around it when he had the mosque constructed.

Ratnavali

"Ratnavali-Charitra” written by Murlidhar Chaturvedi
Women obviously stand behind the success of men with devotion, dedication, sacrifice, self surrender. 
Ratnavali, Vidhuttamma and Kasturba Gandhi’s  iron wills had impacted the lives of Tulsidas, Kalidasa and Mahatma Gandhi.  Only a few know about “Ratnavali-Charitra” written by Murlidhar Chaturvedi.  It throws light on Ratnavali, incorporating some of the couplets (dohas) composed by her. 

Bharthruhari

Bharthruhari was an invincible grammarian and a genius, ranking among the greatest scholars India has ever seen.  He was not a yogi, but a master of the highest spiritual attainments.
There are two versions about his poorvashraman (the first half of one’s life, before taking to asceticism).  One says that he was a Brahmachari (unmarried man) throughout his life.  Another version says he had a wife, but became a detached man in the prime of his youth and took to sanyas.  The circumstances that led him into spirituality are believed to be as follows.

Kalidasa

Kalidasa Charitram
To anybody born in this country, to whichever region he may belongs, Kalidasa immediately strikes a vibrant emotional chord. Since the last 16 centuries, Kalidasa the incomparable poet, has been a household name among people who had even the least interest for poetry. His works have been translated into most major languages of India. He was acclaimed as one of the “nine gems” – Navarathnas in the court of Chandra Gupta Vikramaditya, during the heydays of Gupta dynasty, considered by historians as the most splendid chapter in ancient India.

Kalidasa Ramayana

Devotion to Sri Rama is Valmiki’s gift to humanity.  Sanskrit poets like Bhasa, Bhavabuthi, Kalidasa, Murrari, Dinnaga Bhoja were all inspired by the ancient bard.  Among those the “Raguvamsa” of Kalidasa is unparallelled.
Of its 19 sargas, those from the tenth to the fifteenth are a matchless epitome of Valmiki.  The exploits of the ancestors of Rama from Dilipa to Dasaratha, are the theme of the first nine sargas.  This may be taken as a preface to Kalidasa’s “Ramayana”.

Sardar Bapiah

Sardar Bapiah - Staunch Follower of Netaji
Peta Bapiah of Gampalagudem of Krishna District of Andhra Pradesh hailed from a lower middle-class family. Born in 1897, the year Subhas Chandra Bose too was born, he was a staunch follower of Netaji Bose.

Yamuna: History and Legend

Like the river Ganga, the river Yamuna has played a legendary role in Indian History. Indian mythology, literature and art are replete with references to the river Yamuna from time immemorial. Akin to the river Ganga, the river Yamuna has given a place in the oldest Veda, the Rig Veda.
This river has been described graphically as life sustaining mother, its water is like “Payas” or milk which nourishes children.

Paduka Sahasram by Vedanta Desika

A  Thousand Hymns on Lord’s Sandals
Vedanta Desika’s Paduka Sahasram occupies a unique place among the Vaishnavite Bhakti literature. The sandals of the Lord are more sublime than the Lord Himself. According to Sri Desika, the sandals represent a blend of two goddesses who are the heroines of this great poetical composition. All the followers of Vaishnavaite faith hold no second opinion about the greatness and glory of the Padukas.

Karna

Karna/ Radheya/ Suryaputra Kaunteya
After the fall of Drona on the 15th day of the disastrous Kurukshetra War, Duryodhna installed Radheya as successor Commander-in-Chief.  Radheya felt gratified for affording an opportunity to repay his gratitude to him by killing Arjuna.  Being fatalistic, he felt that destiny, right from his birth when his own mother Kunti abandoned him, may not help him, hence the fighting may not be ordinary and  fate may not be in his favour.
The fighting started  between Bhima and Dushsasana, where Bhima removed the hand that had held Draupadi by the hair 13 years earlier and threw it in the battlefield crying that he had redeemed his terrible oath.

Shirdi Sai Baba’s Temple

Sai Baba of Shirdi
India is a land of saints, Rishis and Mahatmas. Many saints were born in this country at different times. The message of love and compassion has been spread by the saints through the ages. Bhagvan Mahavir, Gautam Buddha, Kabir and Sai Baba to name a few, all spoke of love and humility so that ordinary people could achieve fulfillment in their lives. Love is universal. “Love ye one another and I will love you all”, said Sai Baba. Kabir also said that if one learnt the meaning of love, one had gained the ultimate knowledge.

Sri Sarada Devi

Sri Sarada Devi and Communal Harmony
The great historian, Dr. R.C. Majumdar, wrote in ‘Glimpses of Bengal in the Nineteenth Century’,
“In all vital matters affecting culture, the Hindus and Muslims of Bengal, as elsewhere in India, lived in watertight compartments as it were.”
There was no ill feeling between the Hindus and Muslims, but Dr. Majumdar said, “A fundamental and basic difference between the two communities was apparent and with respect to social ideas and institutions, “the two differed as poles asunder.”

Lal Bahadur Shastri : Peerless Patriot

Ever since attaining independence, India has been brokering peace with its neighbour Pakistan but of no avail. The recent carnage in Mumbai of the terrorist attacks in December 2008 has convinced the entire world that Pakistan is the epic centre of Terrorism. The United Nations and the Security Council have imposed a ban on certain terrorist organisations and named individual terrorists.
In this back drop a grateful nation remembers with gratitude when Lal Bahadur Shastri, second Prime Minister of India paid with his life in Tashkent while making peace with Pakistan. When he died, he left no house, no land and no cash. But he did leave behind an example of morally inspiring generations of mankind. In an age riddled with corruption and deep rooted casteisim, his life of exemplary integrity is of great relevance for contemporary India as well as the world.

Lokanarkavu Bhagavathy Temple

The Lokarnarkavu Bhagavathy temple near Vadakara, Kerala
The number of Durga temples of legendary importance in Kerala are 108. Lokanarkavu is one of them.  The name and glory of this temple, of the Mother Goddess, have been the subject of many ballads and keertans.

Dakshineswar Temple

Rani Rasmani : Builder  of Dakshineswar  Temple
 “Truly speaking, without Rani Rasmani there would have been no Dakshineswar Temple; without Dakshineswar Temple, no Ramakrishna Paramahamsa, without Ramakrishna no Vivekananda and without Vivekananda, no Vedantic message to the West.”
So said Sister Nivedita (Margaret Noble) in highlighting the magnificent contribution of Rani Rasmani by building the Dakshineswar Temple in Calcutta more than 150 years ago. In the middle of the last century, this great woman of India, provided a setting in which Sri Ramakrishna enacted his divine play of thirty years.

Dr. Zakir Husain

Embodiment of Humility Dr. Zakir Husain, the third President of India, was born in Hyderabad on February 8, 1897. He came of a Pathan family who, settled at Qaunaganj in Farrukhabad of Uttar Pradesh. His father, Fida Husain Khan, went to Hyderabad, studied law and had a successful career. He died when Dr. Zakir Husain was only ten years old.

Thursday 4 August 2011

Sant Tukaram

He Touched the Souls of All Humans Sant Tukaram (1577-1650), the eminent saint-poet (santa-kavi) of Maharashtra, provided a vigorous impetus to the Varkari movement by his passionate devotion to Vitthal whom he regarded as the embodiment of the Impersonal Reality. He presented a supreme example of intense spirituality which matched with the best in the mystic heritage of mankind. The fire of devotion burnt in him constantly and its cinders gushed out spontaneously through lyrical verses (abhangas), providing both light and warmth to human souls in search of God.

Saligrama - Emblem of Lord Vishnu

Saligrama is a sacred stone worshipped by Vaishnava devotees as a symbolic manifestation of the Supreme Lord Vishnu. In almost all Vaishnava homes the sacred Saligrama is kept in a silver or copper samputa wrapped with deer skin to maintain the sanctity of the holy stone and is daily worshipped with faith and devotion. Hindus believe that deer skin protects the contents from getting polluted.

Nachiketas : Value of Truth

Truth will lead one to the Absolute.  This has been explained by the story of Nachiketas in Mahabharata and Kathopanishad. 
  According to the Anusana Parva of Mahabharata, Nachiketas, the son of Uddalaki, was a sage of bygone days.   The ashram served his father, who devoted his time in performing  various sacrifices for the benefit of the society.

Krishnajoo Razdan : A Great Saint Poet

In the 19th century,  Kashmir produced some great poets whose rich and prolific poetry created quite an impact on the people. Although Kashmiri poetry in this century was highly Persianised and imitated to the style of Persian classics, the credit goes to Bhakti poets who liberated Kashmiri language from the dominance of Persian diction in a way that it withered away gradually.  The 19th century also saw profusion in various genres and forms of Kashmiri poetry. Devotional Kashmiri poetry too got a fillip.

Kulapati K. M. Munshi A Man of God

He was a unique and harmonious blend of law-breaker and law-maker, traditionalist and rebel, author and administrator, minister and mendicant, scholar and statesman, conservative and liberal, idealist and realist, flexible in details but inflexible in essentials.

Ramana – The Unique Saint

Ramana was a rare spiritual personality with no Guru as such.  Most Divine personalities had Gurus.  Lord Rama had three Gurus – Vasishta, Viswamitra and Agastya.  Lord Krishna had three Gurus – Sandeepini, Gora Angirasa and Jain Teertamkara, Neminatha, who was His cousin.    Parashurama had his one Guru in Lord Dattatreya.  Dattatreya himself had twenty-four Gurus, one of them a cobbler and another a dog! 

Panini –World’s Greatest Grammarian

Panini’s grammar,  popularly known as the ‘Ashtadhyayi’, is acclaimed by linguists all over the world as the most perfect model of a grammar. Well-known Western scholar, L.Bloomfield described Panini’s grammar as ‘one of the greatest monuments of human intelligence’. Panini commands the same respect even today in the history of any language and its grammar.

Lala Lajpat Rai: The Lion of The Punjab

‘No man is truly great only in his life-time. The test of greatness is the page of history’, wrote William Hazlitt.   Lala Lajpat Rai emerges as a giant among historic personages who have carved a niche in the hearts of Indians.

Poet Banabhatta’s Harshacharitha

Strange Circumstances of its CompositionIn the history of classical Sanskrit literature, which is at least 2000 years old, poet Banabhatta stands like a Himalayan peak in giving a new literary dimension to Sanskrit prose. His spectacular success could be gauged by the numerous imitations of his style that were followed by successive poets. Bana’s magnum opus “Kadambari” is not only the most celebrated prose romance in Sanskrit, but it is the best and its appeal has been universal for the past 14 centuries.
Similarly, Bana’s other composition “Harshacharitha” is the only and the very first of its kind in what could be called as ‘Historiography’ which is a biography of his patron king Harshavardhana belonging to the 7th century A.D. These two works of Bana have been considered sufficient by critics to look upon him as an embodiment of goddess Saraswathi.

Lalleshuri -Yogini of Kashmir

Lalleshuri (Lal Ded) of Kashmir (1317-1388) has attracted the  attention of a number of scholars throughout the world. Her poetic compositions or Vaakhs as they are popularly called in Kashmiri,  are the extempore outpourings of a highly awakened Yogini and exhibit high quality poetry with a deep philosophical content.

Maulana Abul Kalam Azad and Partition

In the current debate on partition started by Jaswant Singh’s book, every one is talking about the role of Jinnah, Nehru and Sardar Patel in the partitioning of India, but hardly anyone has mentioned what Maulana Azad, an important leader of Indian National Congress and an eminent scholar of Islam, who held the position of President of the Congress for six long years before partition, had done to avert it.

Tola, The Poet

Poet Tola was a Malayali Brahmin (Namboothiri).
There is no authentic documentation to trace his roots, his real name or the period of his lifetime.
   But there is invalidated evidence that strongly points out that he was the close confidante and associate of Kulashekhara Varma, the Cheraman Perumal, the emperor of Kerala, centuries ago, the  capital of which was Tiruvanchikkulam.
The emperor himself had authored plays like Abhishekam, Tapatisamvaranam and Subhadradhananjayam. He had also compiled Ashchariamanjari, a literary composition.
Historians  believe that poet Tola and Kulashekara Varma were contemporaries. However, it is certain that he had no progeny.  A rough sketch  of Tola’s life goes as follows:
Tola was a brahmachari (a Brahmin novice taking to the study of the Vedas after Upanayanam, the investing of the Brahminical thread) when he lost his father.
After completing his studies, Tola lived with his widowed mother at his Illom. He was not keen on marriage. So with him, the family became extinct.  He was a quick-witted man right from his childhood, very sharp and famous for his logical deductions.
One day, he was having lunch in the kitchen adjacent to the nalukkettu (a quadrangular building with inner courtyard) while his mother attended on him. Chakki, the maid, taking advantage of the situation, sneaked into the pathayam (the granary attached to the nalukkettu), to steal paddy.
Tola saw this, but did not react because there was an unwritten rule among Namboothiris that prevented brahmacharis from talking during meals. But they were permitted to talk in Sanskrit in an emergency. Tola was not well versed in Sanskrit.
But his quick wit enabled him to coin a phrase, which went as follows: ‘Panasi Dasaayam Paasi’ (Panasam means jackfruit, which is called ‘Chakka’ in Malayalam; Dasa means ten which is ‘pathu’ in Malayalam, and paasam means rope or ‘kayaru’ in Malayalam). Its literal translation in Malayalam read as ‘Chakki pathayathil kayari’, which meant that Chakki has sneaked into the granary.
His mother, who was as sharp as her son, got the message and she quickly rushed to the pathayam. Chakki was caught red-handed.
But she did not dismiss the maid from service. Instead she admonished her and allowed Chakki to continue working in the house.
But the watchful eyes of Tola and his mother were always after her. So Chakki was not able to steal anything from the house thereafter.
“Unless I lure him and get him on my side, I will not be able to steal from here,” thought Chakki. She then went on to try and seduce him and before long Tola became her slave. His relation with Chakki leaked out and he became an object of ridicule.
Since his father was no more, there was no one to come to his rescue. He had already earned a lot of enemies among his relatives as a result of his sharp wit and caustic tongue. 
All of them convened a meeting to declare him an outcaste. But Tola was the least bothered. He discarded the Tol/Krishnajinam (the skin or hide of the black antelope worn by Brahmin boys during Upanayanam, which is to be discarded at the time of samavarthanam and announced his own samavarthanam. From then on he earned the name Tolan. His original name was forgotten, in time.
Since he was an outcaste, he was unable to marry a woman from his own clan. But he was happy with Chakki.
He then went on to complete his education. He became a favourite of Goddess Saraswathy (the Goddess of learning).  He composed a number of shlokas in praise of Chakki and also composed many shlokas in praise of Lord Siva.  He was a master of satire and literary criticism.
Before long, even his enemies recognised him as a gifted poet.  They called him Tolakavi (Tola the poet) in recognition of his talents.
Tola and Kulashekhara Varma: Kulashekhara Varma, Tola’s royal friend, wrote  a few Sanskrit plays and was making arrangements to stage them with the Chakiars enacting the roles of  main characters (Chakiars is a  community of professional and traditional expounders of the epics. Their stage performance is known as Chakiar koothu). The first attempt was to stage Saakunthalam.
The Chakiar who was supposed to play the role of sootha (the compere  of the prologue in a drama, who initiates the audience into a preliminary study of the details of the drama) suddenly became blind and the play was cancelled.
“It looks like someone has cast an evil eye on the play. I will write a new one”, decided the King and wrote not one but three plays, namely, Abhishekam, Tapateesamvaranam and Subhadradhananjayam.
 Of  the three plays, the King had a special affinity towards Subhadradhananjayam. So he planned for the debut of the play.  “Before staging the play, I shall get the approval of learned men,” decided the King and summoned a group of scholars. Tolakavi was one among them.
Kulashekhara Varma began to read out the script before the scholars. When he was reading out the second chapter, Tolakavi sprang up from the seat guffawing loudly.  
“Unbearable! Unbearable!”   Bewildered, the others asked him for  his identity. 
“I am the author of Saakuntalam! What the King has read out is copied from my script. How can I bear it?” Tolakavi blurted out.
The scholars were quick to grasp that he was making fun of the King. Some of them could not help laughing at Tola’s words. A few others suppressed their laughs. The King was dejected by the turns of events. He got up from his throne and retired to his chamber.
The King spent a sleepless night. He had always nourished an ardent wish to popularise his plays. Suddenly an idea flashed across his mind.
He immediately had Tolakavi summoned secretly to his royal chamber for a discussion. Accordingly Tola systematised the different aspects of staging the play.
He introduced certain improvisations in the script written by the King by adding a few shlokas in Manipravalam (a mixture of Sanskrit and Malayalam).  The King was highly impressed and he showered Tolakavi with praises.
Thereafter, the King staged his plays one after the other with the support and assistance of Tola. 
He won great applause from an appreciative audience. The King was very happy. He rewarded Tola  handsomely and accommodated him in a house adjacent to his palace at Tiruvanchikkulam.
In due course, King Kulashekhara Varma requested Tola  to compose improvisations of his plays Naganandam, Aashchariachoodamani and Kalianasougandhikam. The performance of the Chakiars was termed ‘Koodiyattom’ by the Perumal (the King).
Later, it became known as ‘koothu.’  “Those who have a pleasing personality, an expressive face and a sense of rhythm will present the lead role. Those who have the power of imagination and speech will present the role of the Vidooshaka (the speaker who leads the audience to the play),” the King suggested, and the Chakiars happily accepted the suggestion.
According to tradition, Koothu is presented before a lamp for which coconut oil is used.
The Chakiars wear garlands made of Chrysanthemum flowers and white costume washed by ‘Veluthedans’ (a class of washermen.)
“A day will come, when you will have to make do with inferior quality of oil, flowers and costume and then you
shall submit your outfits
at the mandapam of Thiruvanchikkulam temple and leave on a pilgrimage,” the Cheraman Perumal had given his command to the Chakiars.
Tolakavi then went on to compose shlokas to provide playback music for Koorappadhakom, a folk art of the Ambalavasis (a community of helpers in temple).
Apart from these, he composed shlokas that are popularly used in koothappadhakom (another folk art form staged in the temples of Kerala.)
Many of his shlokas underline his aversion for Chakki and women in general. 
It was Tolakavi who used Sanskrit participles along with Malayalam words, for the first time.  We come across examples of this in many of his compositions.
Article by : Sreekumari Ramachandran
Source: Bhavan's Journal 15 November 2009
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volution of Cave Temples

The presence of so many cave temples dedicated to Buddhism, Jainism and Hinduism in Western Maharashtra point to the fact that true religion is faith and living in the presence of God. These caves also tell us that all religions are equal in the sense that they try to meet the felt need of humans for spiritual progress.
The question that comes up in one’s mind is why there is concentration of so many cave temples in one area and how long has the evolution been going on. As all the three main prevailing religions of India co-existed, some of the striking similarities in terms of architecture as well as icons seem to suggest that all of them were tolerated, accepted or welcomed by all. 
What is it that has caused this religious tolerance and how did the architectural and iconic similarity permeate each other’s field?  Before going into the details, it is necessary to walk through the evolutionary path that man took to reach the stage of carving a permanent shelter in existing rocks or hills.
Starting with the evolution of human beings, evolution of human dwelling also was taking place. As the human being evolved into a different social animal, he chose to protect himself and his family from the wild animals, the harsh climates and the blazing sun.  This he did by erecting a roof over him.  Over a period, this plain roof became a mud, mortar and wooden architecture.  The improvement in the architectural design of mud and wooden/thatched homes also influenced the temple architecture, though made of the same  material.
In the  beginning, it was functional, just to provide a home.  Later, the sunlight and ventilation were controlled and windows were added. Then a place of worship was added, at a higher level, as God should be at a higher level than the human being.  Therefore, temples became more ornate and were placed on an elevation. 
Another reason for elevating the abode of God was, the notion that God lives in heaven, which is supposed to be high above.  This was the religious zeal along with man’s need for aesthetic beauty in the house as well as outside his house, i.e., his relation with God.
What better place can there be than a hill or mountain to give that desired elevation for God’s abode to signify his superior existence?  Also to indicate that one has to make an effort to get to God, all these cave temples were situated away from the town or city, neither too close nor too far. 
Perhaps another reason was to maintain a distance from the laymen.  Or was it a test for the monks and the sanyasis who lived closer to the Hindu caves?  Interestingly, some of the Hindu caves have Mithuna couples in the main temples, a self test whether the grahasthashrama period is over, or some worldly desires were still left.
As the sculptors became more adept in ornated figures and structures, a permanent and secure place was needed to express the devotion or bhakti on a permanent basis.  Granites, marbles and other soft stones were already in experimental use along with different wood.
Another happy situation was that India was going through a prosperous period. There was political stability, religious freedom, tolerance towards other religions and above all, there was royal patronage. A new type of artists and the guild system came up which wanted them to try their hands at different things. 
The followers of all the three religions, i.e., Hinduism, Buddhism and Jainism were rich in religious scriptures, and were also competing with each other in selecting and establishing or building places of worship.  The prosperity also encouraged trade with far off places.  These trades resulted in “trade routes”, which also connected the Buddhist cultural centres. 
There is a suggestion that the land trade routes covered Lumbini (present Nepal), Samarkand (present Afganisthan) and Dvarkavrata (present Dwarka).  The Buddhist monks travelled to other centres so did the traders. Both needed each other. There were sea routes also through which business was carried out with Sri Lanka, and Arab countries.
Why Cave Temples?
As India was becoming prosperous through trade, more people had to travel from place to place. These trade travels took a long time to complete and on the way people needed to rest and worship God. These traders came across many mountains on their way. They needed both shelters as well as shrines for their spiritual development. 
In the Western India, the prominent trade route was between Jalgaon, Ajanta, Daulatabad or Verul, Ujjain, Pune, and Indore. The traders were sometimes forced to rest in the forests or the natural caves  when they were tired.  These naturally-formed caves prompted people to explore and take their artistic pursuance to a new height.
Nature of Rock for Carving
The Western Ghat topography, with its flat-topped basalt hills, ravines and sharp cliffs, was suitable for rock cutting.  While exploring the texture of the rock along the trade routes, the sculptors found that the rocks were neither hard nor soft, but porous in nature.  The Buddhists’ ideology encouraged identification with trades; hence, merchandise and the prosperity associated with trade helped commissioning of these cave temples which served the dual purpose of providing shrines and shelters.
Stages of Rock Architecture:
First Stage: The first stage was scooping the rock to make a hollow/room. Example: Almost all cave temples have gone through this stage and there are remnants in practically all cave group.  Some of them are incomplete and abandoned.
Second Stage: In the second stage,  light was controlled. Windows and ventilators were also scooped out at a particular place to facilitate  making the caves get maximum daylight. Examples of the second stage  are found in all cave groups.
Third Stage : In the third stage of rock architecture, light was allowed to enter from all three sides of the rock cave. This was again scooped in and the cave was part of the hill or mountain. Example: Elephanta or Gharapuri Caves across the Gateway of India and Pataleshwar Caves, near Pune.
 Fourth Stage:  In the fourth stage of rock architecture, an entire  block of the hill was cut out and a cave temple  scooped out. In this stage, the cave was no more part of the live hill or mountain. Example: Kailash Temple of Ellora. It is also the largest single monolithic structure.
Cave Temples in Western MaharashtraEllora Caves (1st, 2nd and 4th stage of Rock Architecture)
Ellora Caves are the richest in terms of architecture and iconography. The excavation of the caves spanned from second century  A.D. to 11th century.  It boasts of the Buddhist (earliest), Jain and Hindu caves. As there was a guild system, perhaps  artists came from the same school, as we see a common iconography and style in all the three types of caves. The Buddhist Caves belong to both the Hinayana (lower vehicle) and Mahayana (higher vehicle) period.  Salabhanjika, or the Saal tree under which Buddha got enlightenment is also depicted. A lot of importance is given to the Bodhisatva (previous birth of Buddha, before he attained Bodhisatva) in the Buddhist caves and ornamental plants, dwarapalikas, etc. The statues of Jain looks almost like the Buddha, but for the symbol of  Srivatsa on the chest of the Tirthankaras. Adinath, Parswanath, Gomateeswara, Mahaveer, are the main figures.  The Hindu caves have the Trinity, Saptamatrukas, stories from Siva Purana, Ravana, etc.
Ellora Caves or Verul, as it is called by the local people, was excavated out of the vertical face of a hill 26 km. north of Aurangabad. There are 34 caves which were chiselled between 5th and 11th century A.D. These caves  never vanished and were known to the local people for two reasons. The presence of Grishneswar Temple, one of the Jyotirlingas. A lot of pilgrims were visiting the temple for worship. Another reason is the proximity to the village Verul. Daulatabad or the old Devgiri Fort which was built by many kings was also known to the people. The Archaeological Department of Western Maharashtra found an entire town of graveyard to prove that this place was inhabited. Many of the caves served as places of dwelling for the locals. Like the Ajanta Caves, these caves were also plastered and painted.  However, due to the proximity to the village, the local grazers started living and cooking in these caves. Some of the walls still have soot and scribbling. Vandalism seems to be rampant in these caves.
These caves spanned from the 2nd Century A. D. to the 11th Century A.D. Several dynasties like the Vakatakas, Satavahanas, and Rashtrakutas were engaged in the excavation of the caves. The Kailasa Temple (last stage of rock architecture) took seven generations of Rashtrakuta kings to complete the cave temple.
Ajanta Caves (First and second stage): The other types of caves were Viharas  which  were places of meditation and living quarters for the monks with cells on either side of the hall.  These cells were scooped out with a stone-carved bed and a pillow. The Viharas served both as a place of worship and  living. Some of the Buddhist caves have raised platforms on both sides of the aisles, perhaps for the Buddhist pupils to keep their books, writing materials, or as dinning tables.
Chaityagraha:  All the caves of Ajanta were plastered and painted. The plaster was made of mud, shell, grass and cowdung.  After the plaster, a white coating was applied, on which the outlines were drawn. Most of scenes were from the lives of Buddha, Bodhisattvas, or royal families. Traders were also  important, as   shops with shutters were also seen.
The Ajanta caves are over 700 years old.  Some of them belong to second Century B.C.  There are 31 caves which can be divided into two periods. The first one from second Century B.C. to second  Century A.D.  The second period was from middle of third Century, A.D. to 6th century A.D. The intervening period between the two  is not known. Why the work stopped? Where did the artists go? Was there a political turmoil? There is no record for this gap of 600 to 700 years.
 These caves are of two types: Chaityas and Viharas. Chaityas are purely for worshipping consisting of a dome, symbolising the mould after burial. On the top of the dome, there is a structure like a casket (perhaps for the ash?) The Chaityas also have a carved beam and rafters running across the roof. They have no function, since all wooden architecture was there to hold the structure together.   The same was copied in the rock architecture also. 
All Chaityas have circumambulatory path for pradakshina and were for the purpose of worship only for the monks who stayed there and for the laymen.
Karla Caves (1st and 2nd satge) : Karla is close to Lonavala,  a hill station in the Western Ghats (Sahayadri Mountains). Karla has both Hinayana and Mahayana types of caves. It dates back  to 1st Century  B.C. to 7th Century. A.D. Like the Ajanta Caves, the Karla Caves were also excavated in two periods. The splendour of the caves suggests that Buddhism was at its peak when these caves were excavated. This is also the largest group of Chaityas. As the caves are a detour from Malavli railway station, not many people visit them. One can leisurely  study them and enjoy the ghat (valley) and the greenery surrounding the caves. 
An architectural drawing of a Chaitya Karla cave is also the only Chaitya where the original wooden rafter and  beams are intact inspite of  more than a lapse of  2000 years. These wooden supports are absolutely non-functional in a rock architecture. These caves too were excavated to shelter the monks from the rains. Unlike Ajanta and Ellora, the Karla caves do not have the figure of Buddha. Later additions of a temple and a stone-carved Ashoka pillar greets the visitors after a steep climb of 550 steps.
Kanheri Caves (1st and 2nd stage): Kanheri caves come from the word, Krishnagiri or the black hills. Like all groups of caves, the nature of the rock is basalt or lava rock. The caves have intricate carvings and inscriptions in Brahami script. Dating back to 1st Century.A.D, this is a Buddhist group of caves with both Buddha and Bodhisattva carved.  There are both Viharas as well as Chaityas. A flight of steps leads to the caves. On the way,  there are several cisterns with water for the monks living there and also for the visitors and the traders who passed that route.
Bhaje Caves (1st and 2nd stage):  The caves date back to the 2nd Century B.C. and  falls in the second stage of rock architecture. The caves are Hinayana style. Architecturally, the caves are similar to the Karla caves, as a guild system existed during that period.  It belonged to the Satavahana  period, when they were ruling the Deccan region. 
Bedsa Caves : Not very far from the Karla and Bhaje caves, the road,  a narrow path passing through a village,  leads to the caves. The  numerous stupas stun the visitors with a question--why so many?
Dating back to 2nd Century B.C., the Bedsa caves are little different from the Karla and Bhaje caves. The facade of the Chaitya is shoe-shaped like the other caves, but with a difference and it  is carved over the main door. In the other cave groups, the façade itself is the main entrance. Here,  the facade seems to be split due to the presence of the doors at the bottom.  The caves have  beautiful pillars with carved animal and human figures.  These Chaityas also originally had wooden rafters and beams, as there are sockets on both sides.  From the top of the cave, one can have a magnificent view of the surroundings fields.
Aurangabad Caves(1st  and 2nd stage) : These caves are inside the Dr. Ambedkar University campus. They are the most exposed to the human touch and visits, along with animals. These caves can be dated between 2nd to 6th Centuries A.D. The caves are overshadowed by the presence of Ajanta and Ellora caves, which are more famous world over. The Aurangabad caves are stunning and intricate in terms of carving.  This is a group of 12 caves spread within a kilometre area. Most of them are Viharas and in Tantric style where iconography is concerned.   
Elephanta/Gharapuri Caves (The only cave of 3rd stage of rock architecture in tact):  This is the only rock carved-temple of the 3rd stage which is in tact. The other incomplete one is in Pataleshwar caves in Pune. Both these caves are dedicated to Lord Shiva.
Other cave groups in Maharashtra which are    architecturally important are the Pithalkhora caves near Aurangabad.
The caves belong to the period between first  Century  B.C. to 2nd Century  A.D.  These are Buddhist caves belonging to the Thervadai style, and have both Chaityas and Viharas.
The Mahakali, and Jogeshwari Caves are within Mumbai city. The Lenadri near Pune and Pandava Leni are in Pune city.
Article by : Rajeswari Raghu
Source: Bhavan's Journal 15 November 2009
To know more about Bhavan's Journal and to subscribe visit: http://www.bj.bhavans.info/